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GILDA
Reviewed by Heather Picker
Directed by Charles Vidor. Screenplay by Marion Parsonnet. Starring Rita Hayworth and Glenn Ford, with George Macready. 1946, 110 min., Not Rated.
There are two reasons to see Gilda: Rita Hayworth and Rita Hayworth. Her
immortal performance as the temptress title character carries the film, a
B-movie with a script that's as full of intoxicating noir-speak as it is
convoluted, but the delivery is worth it and the lighting elevates Hayworth to
an almost ethereal level. Watch her sing "Put the Blame on Mame" and
the meandering melodrama disappears: you are left with one of the most
singularly sensuous scenes in the history of film.
The mood makes
the movie, and the tone established by director Charles Vidor occasionally
transforms dialogue exchanges into something resembling a ballet. Johnny Farrell
(Glenn Ford, who had co-starred with Hayworth under Vidor's direction six years
earlier in The Lady in Question) is the narrator of the picture, a
rough-edged gambler who goes to work for Ballin Mundson (George Macready), owner
of an illegal gambling casino in South America, after Ballin saves his life. He
quickly becomes Ballin's right-hand man, and the men form a close bond that is
fractured when Ballin unexpectedly marries.
Gilda, the new
Mrs. Mundson, is the focal point of the routine plot, a woman from Johnny's
past. Ballin puts Johnny in charge of looking after Gilda, who works overtime to
exasperate him; she is the femme fatale who will stop at nothing to see him
self-destruct. Tensions build between Johnny and Gilda, and Ballin encounters
problems of his own--of a legal variation, so, appropriately satisfied with the
growing Johnny/Gilda mess, he fakes his own death, determined to return after a
few months to knock over the human dominos he has set up. There is a strange
sexual vibe to it all, and the overtones about Ballin and Johnny's relationship
have been deconstructed by several film writers, most notably Vito Russo, who
references the film several times in his landmark book "The Celluloid
Closet."
Gilda
is an overrated but enduring classic, a fine example of noir despite a stale
story and disappointing (if traditional) ending. Screenplay by Marion Parsonnet
(who adapted the 1944 Hayworth vehicle Cover Girl), legendary scribe Ben
Hecht (Notorious) is an uncredited contributor. Exceptional
cinematography by Rudolph Maté, who worked on the Hayworth films Cover Girl
and The Lady from Shanghai (1948, uncredited).
DVD
Details:
Another Columbia Classics DVD release, Gilda was restored by the UCLA
Film and Television Archive, Sony Pictures Entertainment, The Library of
Congress and the UK National Film and Television Archive and it definitely
shows. The transfer is wonderful with rich blacks and vivid whites. Despite
occasional nics, the picture is crisp. The mono soundtrack is equally
impressive, the dialogue and music are all clear.
Special features
include theatrical trailers for Gilda, The Loves of Carmen, A Man for All
Seasons and The Last Hurrah, talent files for Vidor, Hayworth, Glenn
Ford and George Macready, vintage advertising and a featurette about Hayworth.
The advertising material includes lobby cards, a card promoting a double-bill
with Platinum Blonde, and posters. "Rita Hayworth: The Columbia
Lady" is the title of the featurette, tracing Hayworth's career from a 1936
bit part in Meet Nero Wolfe to her heyday as a top box-office draw.
Hayworth appeared in 32 Columbia films, among them Only Angels Have Wings,
The Lady from Shanghai and Miss Sadie Thompson. The featurette is
under 10 minutes long and ends somewhat abruptly, and while it features some
nice (and good-looking, given their age) clips from her films a trip to the IMDb
would provide a more comprehensive overview of her career.
The audio set-up
features English, French, Spanish and Portuguese language tracks. There are also
English, French, Spanish, Portuguese, Chinese, Korean and Thai subtitles. Scene
selections and a 2-page production booklet complete the package, which has a
suggested retail price of $29.95. Given the lack of features, the price is about $5.00 too high, but the DVD is a good addition to the library of classic
film fans. [Update: The price has been dropped.]
Availability: Gilda is available on video and DVD.
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